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Alfonso Tenreiro’s music is deeply grounded on Western traditions, from Gregorian Chant, Renaissance and Baroque Polyphony to Romantic harmonic and melodic esthetics.  This he does with an updated resource of modern techniques, including free chromaticism and atonality, primitivism, polytonality, and brush strokes of Venezuelan folklore.

His latest piece Remembrance was commissioned by Janice Pellar, an LSU School of Music alumni. In Remembrance Tenreiro is influenced by all of the above.  The piece begins with a contemplative monophonic melodic line in the violins, which later develops and gets tossed among different woodwind solos. As the piece progresses, the triplet accompaniment figure introduced by the brass section of the orchestra is used as a developmental tool throughout.  This rhythmic triplet pattern becomes the foreground for the next few measures serving as a link to the folk like Merengue Venezolano melody presented by the trumpet.  The Merengue Venezolano is a rhythmic pattern of folk origin from Venezuela in either 5/8 or 6/8 meter. What distinguishes the Merengue is the overlapping of 3/4 against 6/8 meters. The Romantic influence in the melodic material during the development of Remembrance is latent, and it is also contrasted and juxtaposed with the rhythmic and melodic patterns of the Merengue. A harp solo followed by a piano solo lead to an intense fanfare coda, this way rounding up the piece.

Composed by Alfonso Tenreiro, ©2005
Conducted by Carlos Riazuelo
Performed by LSU Symphony Orchestra, First Baptist Church, Baton Rouge, Louisiana, September 16, 2015


This work envelops the listener in an environment of mystery and takes him through a journey in which one can admire the beauty, tranquility and greatness that is Guri.

GURI is IMMENSITY: The deep interior silence felt in front of the great concrete mass that is Guri Dam is expressed in this music work with atmospheres of mystery, of surprise.
GURI is the LAKE: Behind the enormous wall an immense lake is formed. The vision of the lake produces a sensation of calmness, of peace, that is translated in the music with an atmosphere of serenity.
GURI is the STRENGHTH OF THE WATER: The immense mass of water that descends through the dam’s spillway produces a turbulence and a physical and sonorous strenghth, that the Composer engraved in this symphonic work. He imagined also this turbulent mass of water as reduced to acoustic particles.

Composed by Alfonso Tenreiro 1988

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Throughout this work there prevails a spirit of contemplation with feelings of nostalgia, memories, admiration, wonder.  This composition has a tonal character, resting on harmonies and Romantic passages.  The scarce use of percussion and piccolo, and the absence of the piano are clues of Tenreiro’s return to the roots of Western Music.  The orchestration is very profound.  In it the composer searched for the natural resonance of the orchestra.  In this piece Tenreiro opted for not linking the themes through bridges and transitions.  Each melody is exposed and recapitulated almost immediately, without the work deviating from the point it tries to communicate.
The beginning of the work is of melancholic character and, little by little, upon presenting the Gregorian theme, the character turns festive, giving the Moravian Philharmonic Orchestra conducted by Vit Micka the full opportunity to shine.  The CD Destinations was produced by Navona Records. 2005[wpanchor id=”mountainechos”]



CREACION sin Festival

This work constitutes a landmark in the musical creation of this Composer.  It is a piece different from all of Tenreiro’s previous ones. In composing it he wished to go back in time 100 years and take it from there.
“I feel that harmonic direction has not been developed enough.  I wanted to place myself where Schöenberg started out.  In this piece I consciously took a different path than that of the Second Vienese School.  I think I accomplished it without sounding like the composers of the Romantic period”.
“One morning while driving I was composing something, inspired by the mountains, the serenity of the area, the awesome view, and I thought I would like to write what I was imagining, wishing someone would commission this piece which was coming forth from my interior.  The possibility arose to participate in the Utah Arts Festival, in which the Composer of Year 1999 would be chosen. I won the contest and they commissioned a work, which was precisely the one that was coming forth from me through nostalgia from my Venezuelan mountains and admiration of the ones in Utah”.   

Composed by Alfonso Tenreiro. 1998[wpanchor id=”caroni”]


CREACION sin Festival

Symphonic work inspired in the river ecology of the Guayana area in Venezuela.  In Caroní, Tenreiro decided to travel through the tonalities to which the melody he was developing would take him.  The character of this work reflects the beauty and majesty of the ‘Macizo Guayanés’ (Guayana Shield), and also the spiritual element of silence when observing a ‘tepuy’ (unique mountains of the Guayana Shield) or one of the water falls.  “All of this necessarily takes us to the Artist of Creation, Who created this awesome natural work, of which the Caroní River is the center”, says Tenreiro.

Composed by Alfonso Tenreiro. 2002

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